That’s very different from commissioned murals for example, where consent is always required. Originally, graffiti and street art are not limited by law or the taste of authorities like funding bodies, homeowners or the state. This can give room for difficult images or messages. In the conception of an illegal or self-authorized piece, both graffiti writers and street artists experience freedom in relation to their content. Īnonimity is huge factor in both graffiti and street art Picture by Candice Seplow Interestingly, by bringing art to the public space, these movements challenged the structures and boundaries in the art world itself. Unlike other art forms, graffiti and street art were born outside of the established art world, and ignored academic theory. The teamwork of graffiti crews before, during and after illegal interventions is essential for their success. Particularly in the case of graffiti, the degree of illegality matters as much as the aesthetic composition itself. anti-commercial and independent discourse. As part of their rebellious roots, these subcultures are grounded on an anti-authoritarian. Graffiti and street artists fully incorporate the ‘do-it-yourself’ mentality by claiming their spot in the city anonymously and without the need of any previous approval. Similarities Rebellious, anonymous and independent More about these movements’ history can be found in our series of timeline articles about the 1960s – 1970s, 1980s – 1990s and 2000s – 2010s. This development happened due to artists’ pursuit of accessible messages and forms, together with the revival of some art techniques – such as spray-painted stencils and paper paste-ups. The street art movement was born in the mid 1970s, directly from the graffiti flow. It started as a creative pastime based on repeatedly writing one’s name in the public space for the sake of notoriety. While graffiti is a millennia-old term, contemporary graffiti emerged in Philadelphia in 1967. In order to be as accurate as possible, we used information based on the practice of most artists, acknowledged by key experts in the field. Taking this into account, as well as the fact that we are referring to worldwide scenes which evolve on a daily basis, both terms cannot be conclusively defined. ![]() This has been a hot topic among several artists, academics, critics and art lovers for a very long time. By clarifying these features, we hope to inspire you to look at graffiti and street art on the streets and in institutions – such as our opening exhibition Quote from the streets – with fresh eyes.īefore we dive in, it's important to mention that there is extensive discussion about the best ways to define graffiti and street art. ![]() With this article we aim to shed light on the understanding of these two art forms, from their origins to their major similarities and differences. There are of course several similarities among them, but graffiti and street art are – in fact – two different art forms. Therefore, for many passersby, these expressions can look quite similar in the urban landscape. Both graffiti and street art use the spray can as their main medium and the city walls as their main canvas.
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